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PAUL
CATON
RICHARD DUCKER
JORG OBERGFELL
CAROLINE ROTHWELL
CONRAD VENTUR
PV: Thursday 1st May 6.30-8.30pm

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Wastestate brings together five artists whose work can be identified within
the theme of rubbish & landscape. For this exhibition BEARSPACE will exhibit
artists working in a range of media from watercolour to installation with
materials as diverse as felt and concrete.
JMW Turner said when speaking about his industrial landscapes, "If I could
find anything blacker than black, I'd use it."
The tradition of landscape in art practice is one of difference. Renowned
painters of this tradition referenced a particular social framework, often
relevant to a particular genre and therefore, seen as a progressive practice
both then and now. Landscape is also often viewed as the domain of the
amateur painter, limited by form and content; it is an impression by the
artist of a particular sitting or view. This type of landscape representation
is often non-confrontational and focuses on the ‘dreamy’ or ‘moody’ aspects
of the scene.
Wastestate references both the Great Masters and amateur painting in exploring
contemporary and future landscapes. Landscape is a place of freedom, evolution,
darkness and light. Today a key element to rural and urban locations is
the parasitic layer of rubbish. Landscapes are littered with public bins,
rubbish bags spilling out into streets and fields.
Our landscape has changed to include rubbish, rubble and residents amongst
the ruin, composing new experiences for artists to draw upon. The predominant
use of monochrome as technique in this exhibition reflects the lurking
industrial materials and packaging, contrasting the bright or pastel palette
of the traditional landscape painter. In this new palette of the man-made
and manufactured, artists often use found objects, recycling rubbish to
create artworks, physically creating a new landscape using by-products
of our throwaway society.
In Wastestate these landscapes evolve, morph and are tangled with rubbish
and demise. Like uncomfortable bedfellows, rubbish and landscape become
hopelessly linked, creating a layered experience built with each debris
intervention. This evolution is present in many of the artists work, almost
predicting the victory of rubbish over landscape. This type of artwork
allows us to add a new section to the history of landscape art and deconstruct
the social framework that this new work is referencing.
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Bearspace
152 Deptford High Street, London
SE8 3PQ
02-31 May
Wed-Sat, 12.30 - 5.00 PM
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